{"id":41794,"date":"2013-09-23T15:31:11","date_gmt":"2013-09-23T07:31:11","guid":{"rendered":"https:\/\/cuhkmdw-dev.visibleone.dev\/?post_type=peoples&#038;p=41794"},"modified":"2026-01-22T11:30:55","modified_gmt":"2026-01-22T03:30:55","slug":"%e9%a6%ae%e6%87%89%e8%ac%99","status":"publish","type":"peoples","link":"https:\/\/cuhkmdw-dev.visibleone.dev\/zh\/people\/%e9%a6%ae%e6%87%89%e8%ac%99\/","title":{"rendered":"\u99ae\u61c9\u8b19"},"content":{"rendered":"<p class=\"plan\" style=\"text-align: left;\"><strong>B.S.Sc.<\/strong><br \/>\nThe Chinese University of Hong Kong, Hong Kong<\/p>\n<p class=\"plan\" style=\"text-align: left;\"><strong>M.A.<\/strong><br \/>\nUniversity of Minnesota<\/p>\n<p class=\"plan\" style=\"text-align: left;\"><strong>Ph.D.<\/strong><br \/>\nThe University of Minnesota<\/p>\n","protected":false},"featured_media":45100,"template":"","people_categories":[263],"about_nah_category":[293],"about_nah_code":[1415],"class_list":{"0":"post-41794","1":"peoples","2":"type-peoples","3":"status-publish","4":"has-post-thumbnail","6":"people_categories-teaching-staff-zh","7":"about_nah_category-nah-3-f-zh","8":"about_nah_code-311-zh"},"acf":{"student_chinese_name":"","full_name":"","name_with_title_prof":"\u99ae\u61c9\u8b19","position":"\u5049\u502b\u65b0\u805e\u8207\u50b3\u64ad\u5b78\u6559\u6388<br>\u793e\u6703\u79d1\u5b78\u9662\u9662\u9577","full_position":"","project":"","content":"<h4><span style=\"color: #ea1e49;\">C.V.<\/span><\/h4>\r\n<ul>\r\n \t<li><a style=\"text-decoration: underline; color: #ea1e49;\" href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/CV-AnthonyFungAug2025.pdf\" target=\"_blank\" rel=\"noopener\">Long Version (Updated on: March 2025)<\/a><\/li>\r\n<\/ul>\r\n&nbsp;\r\n<h4><span style=\"color: #ea1e49;\">Honors<\/span><\/h4>\r\n<ul>\r\n \t<li>Justice of Peace<\/li>\r\n<\/ul>\r\n&nbsp;\r\n<h4><span style=\"color: #ea1e49;\">Appointments<\/span><\/h4>\r\n<ul>\r\n \t<li>Dean of Social Science<\/li>\r\n \t<li>Director of Institute of Asia Pacific Studies<\/li>\r\n \t<li>Director, Centre for Youth Studies<\/li>\r\n<\/ul>\r\n&nbsp;\r\n<h4><span style=\"color: #ea1e49;\">Other Academic Appointments<\/span><\/h4>\r\n<ul>\r\n \t<li>Professor, Beijing Normal University and Director, Centre for Digital Content and Creative Media, School of Arts and Communications, November 2015-present<\/li>\r\n \t<li>Buffett Visiting Professor, Buffett Global Institute for Global Affairs, Northwestern University, January-March 2020<\/li>\r\n \t<li>Pearl River Scholar Chair Professor, School of Journalism and Communication, Jinan University and Guangdong Education Bureau, November 2013-October 2017<\/li>\r\n<\/ul>\r\n&nbsp;\r\n<h4><span style=\"color: #ea1e49;\">Selected Current Appointments outside University<\/span><\/h4>\r\n<ul>\r\n \t<li>Member, Board of Advisors, Radio Television Hong Kong, HKSAR, September 2018-present.<\/li>\r\n \t<li>Member, Standing Committee on Language Education and Research (SCOLAR), HKSAR, July 2019-June 2021.<\/li>\r\n<\/ul>\r\n&nbsp;\r\n<h4><span style=\"color: #ea1e49;\">Research Interests<\/span><\/h4>\r\n<ul>\r\n \t<li>Creative\/ Cultural industries and Cultural Policy, with areas covering digital content, online\/ mobile games, comics\/animation, online novel, TV entertainment and films with emphasis on Asian models and comparative analysis<\/li>\r\n \t<li>Popular Culture, Youth Culture and Cultural Studies focusing on issues such as cultural politics, gender, youth identities, fandom and online communities<\/li>\r\n \t<li>Global Media and Communication with a particular focus on Chinese and Asian media<\/li>\r\n<\/ul>\r\n&nbsp;\r\n<h4><span style=\"color: #ea1e49;\">Teaching Interests<\/span><\/h4>\r\n<ul>\r\n \t<li>Transnational and Digital Media<\/li>\r\n \t<li>Creative Media<\/li>\r\n \t<li>Popular Culture and Cultural Studies<\/li>\r\n<\/ul>\r\n&nbsp;\r\n<h4><span style=\"color: #ea1e49;\">Advice to students<\/span><\/h4>\r\nWork Hard and Play Hard.","publication_list_title":"Publication List:","people_publication_lists":[{"people_publication_list_title":"Selected Academic Books","people_publication_content":"<span style=\"text-decoration: underline;\">On Creative Industries and Cultural Policy<\/span>\r\n<table style=\"border-collapse: collapse; width: 100%; height: 312px;\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 100%;\" colspan=\"2\">Ben Fong and Anthony Fung (Eds.). (2025). <em>Building a sustainable Healthcare system for Hong Kong<\/em>. Hong Kong: Hong Kong Institute of Asia-Pacific Studies.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"height: 48px;\" colspan=\"2\">Anthony Fung and Alice Chik (eds). (2020)\u00a0<em>Made in Hong Kong<\/em>. Global Popular Music Series. London: Routledge.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 84.2056%; height: 48px;\">*Anthony Fung (2018)\u00a0<em>Cultural Policy and East Asian Rivalry: The Hong Kong Gaming Industry<\/em>. Lanham, MD: Rowman &amp; Littlefield.<\/td>\r\n<td style=\"width: 15.7944%; height: 48px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/wp-content\/uploads\/2022\/11\/anthony-book-2017-cultural.pdf\">View &gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 84.2056%; height: 48px;\">Anthony Fung (2016) (ed.)\u00a0<em>Global Game Industries and Cultural Policy<\/em>. London: Palgrave Macmillan.<\/td>\r\n<td style=\"width: 15.7944%; height: 48px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/42889855?auxfun=&amp;lang=zh_HK\">View &gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 84.2056%; height: 48px;\">Joseph Chan, Anthony Fung and Chun Hung Ng (2009)\u00a0<em>Policies for a Sustainable Development of the Film Industry<\/em>. Hong Kong: The Chinese University Press.<\/td>\r\n<td style=\"width: 15.7944%; height: 48px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/51384686?auxfun=&amp;lang=zh_HK\">View &gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 84.2056%; height: 48px;\">*Anthony Fung (2008)\u00a0<em>Global Capital, Local Culture: Transnational Media in China<\/em>. New York: Peter Lang.<\/td>\r\n<td style=\"width: 15.7944%; height: 48px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/50105702?auxfun=&amp;lang=zh_HK\">View &gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 72px;\">\r\n<td style=\"width: 84.2056%; height: 72px;\">Michael Keane, Anthony Fung, and Albert Moran (2007)\u00a0<em>New Television Globalization and East Asian Cultural Imaginations<\/em>. Hong Kong: Hong Kong University Press. Cultural Studies Series.<\/td>\r\n<td style=\"width: 15.7944%; height: 72px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/49320072?auxfun=&amp;lang=zh_HK\">View &gt;<\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<span style=\"text-decoration: underline;\">On Popular Culture,\u00a0Youth Culture and Cultural Studies<\/span>\r\n<table style=\"border-collapse: collapse; width: 100%; height: 144px;\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 100%;\" colspan=\"2\">Anthony Fung and Qian Zhang (eds). (forthcoming) <em>Made in China.<\/em> Global Popular Music Series. London: Routledge.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 87.7747%; height: 48px;\">*Jeroen de Kloet and Anthony Fung (2016)\u00a0<em>Youth Cultures in China<\/em>. New York: Polity Press.<\/td>\r\n<td style=\"width: 12.2253%; height: 48px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/37871189?auxfun=&amp;lang=zh_HK\">View &gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 87.7747%; height: 48px;\">Anthony Fung (2013) (ed.)\u00a0<em>Asian Popular Culture: the Global (Dis)continuity<\/em>. New York: Routledge.<\/td>\r\n<td style=\"width: 12.2253%; height: 48px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/40855777?auxfun=&amp;lang=zh_HK\">View &gt;<\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n*denotes ten representative works\r\n**denotes works co-published with graduate students\r\n#denotes corresponding author"},{"people_publication_list_title":"Selected Refereed Journal Papers","people_publication_content":"<span style=\"text-decoration: underline;\">On Creative Industries and Cultural Policy<\/span>\r\n<table style=\"border-collapse: collapse; width: 100.275%; height: 1387px;\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 87.884%;\" colspan=\"2\">Ziran Zhao and Anthony Fung (2025) Passing the Torch of Candlelight: The Flux of Players\u2019 Gaming Capital in the Game Platform Sky: Children of the Light. <em>Media International Australia.<\/em> doi: <a href=\"https:\/\/doi.org\/10.1177\/1329878X251347031\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1177\/1329878X251347031<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 87.884%; height: 48px;\">Jiang, X., Zhou, W., Sun, J., Chen, S., &amp; Fung, A. (2025). Empathy enhancement through VR: A practice-led design study. <em>International Journal of Human-Computer Studies, 194<\/em>, 103397. <a href=\"https:\/\/doi.org\/10.1016\/j.ijhcs.2024.103397\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1016\/j.ijhcs.2024.103397<\/a><\/td>\r\n<td style=\"width: 11.7747%; height: 48px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-journal-2024-empathy.pdf\" target=\"_blank\" rel=\"noopener\">View &gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 87.884%; height: 48px;\">Fu, H., &amp; Fung, A. (2024). \"The harder I work, the luckier I get\": How rural streamers perceive and cope with the algorithmic gaze on Taobao live. <em>Communication, Culture and Critique<\/em>, 1-9. <a href=\"https:\/\/doi.org\/10.1093\/ccc\/tcae021\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1093\/ccc\/tcae021<\/a><\/td>\r\n<td style=\"width: 11.7747%; height: 48px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-journal-2024-harder.pdf\" target=\"_blank\" rel=\"noopener\">View &gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 72px;\">\r\n<td style=\"width: 87.884%; height: 72px;\">Fung, A., He, W., Chen, F. (2024) Involution, No Revolution: Technocapitalism and Intern Labor. <em>TripleC: Communication, Capitalism &amp; Critique 22<\/em>(1): 292-306.\r\nDOI: <a href=\"https:\/\/doi.org\/10.31269\/triplec.v22i1.1455\">https:\/\/doi.org\/10.31269\/triplec.v22il.1455<\/a><\/td>\r\n<td style=\"width: 11.7747%; height: 72px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-journal-2024-involution.pdf\" target=\"_blank\" rel=\"noopener\">View &gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 87.884%; height: 48px;\">Leo-Liu, J., Fung, A., Fu, H. (2024). Cooptation, hijacking, or normalization? The discursive concession of body politics on Douyin. <em>International Journal of Cultural Studies<\/em>. <a href=\"https:\/\/doi.org\/10.1177\/13678779241239681\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1177\/13678779241239681<\/a><\/td>\r\n<td style=\"width: 11.7747%; height: 48px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-journal-2024-cooptation.pdf\" target=\"_blank\" rel=\"noopener\">View &gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 24px;\">\r\n<td style=\"width: 87.884%; height: 24px;\">Jiang, X., Harteveld, C., Yang, Y., Fung, A., Huang, X., &amp; Chen, S. (2023). \u201cIf it\u2019s sunny, don\u2019t take an umbrella\u201d: a systematic evaluation of design principles for CT teaching games. <em>Educational technology research and development<\/em>, 1-39.<\/td>\r\n<td style=\"width: 11.7747%; height: 24px;\" width=\"87%\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-journal-2023-sunny.pdf\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 99.6587%; height: 48px;\" colspan=\"2\">**Jeremy Tan, Anthony Fung and Jidong Liu (2023). Compelled TikTokers? The ambivalent affordances of the short video app for Filipino musicians. Media, Cultures &amp; Society. (Journal listed in SSCI)<\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"height: 48px; width: 99.6587%;\" colspan=\"2\">#Anthony Fung and Qian Zhang (2023). Performance Space and Independent Music: The Role of Cultural Entrepreneur in Music Making in China. DIY, Alternative Cultures &amp; Society. Online First. <a href=\"https:\/\/doi.org\/10.1177\/27538702231152606\">https:\/\/doi.org\/10.1177\/27538702231152606<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 24px;\">\r\n<td style=\"height: 24px; width: 99.6587%;\" colspan=\"2\">\u6797\u78ca\u3001\u99ae\u61c9\u8b19 (2022). \u81ea\u7531\u3001\u81ea\u4e3b\u8207\u62b5\u6297\uff1a\u4f5c\u70ba\u5275\u610f\u52de\u52d5\u7684\u7db2\u6587\u5275\u4f5c\u3002\u300a\u65b0\u805e\u8a18\u8005\u300b10: 72-84\u3002(Journal listed in CSSCI)<\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"height: 48px; width: 99.6587%;\" colspan=\"2\">#Anthony Fung, Milan Ismangil, Wei He and Shule Cao (2022). If I\u2019m not Streaming, I\u2019m not Earning: Audience Relations and Platform Time on Douyin. Online Media and Communication. <a href=\"https:\/\/doi.org\/10.1515\/omgc2022-0001\">https:\/\/doi.org\/10.1515\/omgc2022-0001<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"height: 48px; width: 99.6587%;\" colspan=\"2\">#Anthony Fung, Wei He and Shule Cao (2022). Cultural Capitals and Creative Labour of Short Video Platforms: a Study of Wanghongon Douyin. Cultural Trends. <a href=\"https:\/\/doi.org\/10.1080\/09548963.2022.2082862\">https:\/\/doi.org\/10.1080\/09548963.2022.2082862<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"height: 48px; width: 99.6587%;\" colspan=\"2\">Wei He, Lei Lin and #Anthony Fung (2022) Online Fiction Writers, Labor, and Cultural Economy. Global Media and China. (Journal listed in CSSCI) <a href=\"https:\/\/doi.org\/10.1177\/20594364221105643\">https:\/\/doi.org\/10.1177\/20594364221105643<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 72px;\">\r\n<td style=\"width: 87.884%; height: 72px;\">Fung, A. Y. H. (2021). Transnational flow of Chinese and UK fashion discourse: analyses of digital platforms and online shopping in China.\u00a0<em>Fashion Theory<\/em>.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1080\/1362704X.2021.1979789\">https:\/\/doi.org\/10.1080\/1362704X.2021.1979789<\/a><\/td>\r\n<td style=\"width: 11.7747%; height: 72px;\">\u00a0<a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-journal-2021-transnational.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 87.884%; height: 48px;\">\u7530\u5143\u3001\u99ae\u61c9\u8b19\uff082021\uff09\u3002&lt;\u6200\u201c\u6e58\u201d\u60c5\u7d50\uff1a\u5a92\u9ad4\u878d\u5408\u6642\u4ee3\u6e56\u5357\u96fb\u8996\u751f\u7522\u8005\u7684\u7a7a\u9593\u9077\u5f99\u8207\u793e\u7fa4\u4f9d\u9644&gt;\u3002\u300a\u65b0\u805e\u8a18\u8005\u300b\uff0c\u7b2c460\u671f\uff0c\u98013-14\u3002<\/td>\r\n<td style=\"width: 11.7747%; height: 48px;\">\u00a0<a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-journal-2021-love.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 99.6587%; height: 48px;\" colspan=\"2\">\u694a\u76c8\u9f8d \u99ae\u61c9\u8b19(2020) \u300c\u672c\u771f\u6027\u300d\u5851\u9020\uff1a\u5782\u76f4\u985e\u97f3\u6a02\u7d9c\u85dd\u7bc0\u76ee\u7b26\u865f\u8207\u610f\u7fa9\u7684\u6587\u5316\u751f\u7522\u3002\u300a\u73fe\u4ee3\u50b3\u64ad\u300b5:100-104.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 72px;\">\r\n<td style=\"width: 99.6587%; height: 72px;\" colspan=\"2\">\u4f55\u5a01\u3001\u66f9\u4e66\u4e50\u3001\u4e01\u59ae\u3001\u99ae\u61c9\u8b19 (2020) Job, Well-being and Sense of Fulfillment: Creative Workers on Short Video Platforms \u5de5\u4f5c\u3001\u798f\u7949\u4e0e\u83b7\u5f97\u611f\uff1a\u77ed\u89c6\u9891\u5e73\u53f0\u4e0a\u7684\u521b\u610f\u52b3\u52a8\u8005\u7814\u7a76\u3002\u300a\u65b0\u805e\u8208\u50b3\u64ad\u7814\u7a76\u300b6: 39-57.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 72px;\">\r\n<td style=\"width: 99.6587%; height: 72px;\" colspan=\"2\">Zhang, Q., &amp; Fung, A. (Eds.) (2019). Introduction: Historicizing globalization\u2014Popular musics in Asia and beyond, Special Section: Asian popular music: transnationality and globalization.\u00a0<em>Global Media and China, 4<\/em>(4), 399-513.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 72px;\">\r\n<td style=\"width: 87.884%; height: 72px;\">*Anthony Fung (2019) Fandomization of Online Video or Television in China. <em>Media, Culture &amp; Society 41<\/em>(7): 995-1010. (1c)\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1177\/0163443719863353\">https:\/\/doi.org\/10.1177\/0163443719863353<\/a><\/td>\r\n<td style=\"width: 11.7747%; height: 72px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-journal-2019-Fandomization.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.884%; height: 96px;\">#Anthony Fung, Boris Pun, Yoshitaka Mori (2019) Reading Border-crossing Japanese Comics\/anime in China: Cultural Consumption, Fandom and Imagination.\u00a0<em>Global Media and China 4<\/em>(5): 125-137.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1177\/2059436419835379\">https:\/\/doi.org\/10.1177\/2059436419835379<\/a><\/td>\r\n<td style=\"width: 11.7747%; height: 96px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-journal-2019-reading.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 144px;\">\r\n<td style=\"width: 99.6587%; height: 10px;\" colspan=\"2\">*Ni Ding, Wei Zhou and #Anthony Fung (2018) Emotional Effect of Cinematic VR compared with Traditional Film.\u00a0<em>Telematics and Informatics 35<\/em>(6): 1572-1579\u00a0<a style=\"display: block; background-color: unset; color: #ea1e49!important;\" href=\"https:\/\/doi.org\/10.1016\/j.tele.2018.04.003\">https:\/\/doi.org\/10.1016\/j.tele.2018.04.003<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 72px;\">\r\n<td style=\"width: 87.884%; height: 72px;\">**Qiaolei Jiang and Anthony Fung (2017) Games with a Continuum: Globalization, Regionalization, and the Nation-State in the Development of China\u2019s Online Game Industry.\u00a0<em>Games and Culture 1-24<\/em>\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1177\/1555412017737636\">https:\/\/doi.org\/10.1177\/1555412017737636<\/a><\/td>\r\n<td style=\"width: 11.7747%; height: 72px;\">\u00a0<a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-journal-2017-games.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 65px;\">\r\n<td style=\"width: 87.884%; height: 65px;\">Kim Dong Shin and Anthony Fung (2017) Temptation of Control in the Globalizing Creative Industries.\u00a0<em>Global Media and China 2<\/em>(1): 3-7.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1177\/2059436417705917\">https:\/\/doi.org\/10.1177\/2059436417705917<\/a><\/td>\r\n<td style=\"width: 11.7747%; height: 65px;\">\u00a0<a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-journal-2017-temptation.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 51px;\">\r\n<td style=\"width: 87.884%; height: 51px;\">Anthony Fung (2016) Comparative Cultural Economy and Game Industries in Asia. <em>Media International Australia<\/em> 159 (1): 43-52.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1177\/1329878X16638940\">https:\/\/doi.org\/10.1177\/1329878X16638940<\/a><\/td>\r\n<td style=\"width: 11.7747%; height: 51px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/31572294?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 83px;\">\r\n<td style=\"width: 87.884%; height: 83px;\">*\/ **Lin Zhang and Anthony Fung (2014) Working as playing? consumer labor and the guild of online gaming in China. New Media and Society 16(1): 38-54<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1177\/1461444813477077\">https:\/\/doi.org\/10.1177\/1461444813477077<\/a><\/td>\r\n<td style=\"width: 11.7747%; height: 83px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/40827084?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 65px;\">\r\n<td style=\"width: 87.884%; height: 65px;\">Anthony Fung and John Erni (2013) Cultural Clusters and Cultural Industries in China.\u00a0<em>Inter-Asia Cultural Studies 14<\/em>(4): 644-656.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1177\/2059436417692073\">https:\/\/doi.org\/10.1177\/2059436417692073<\/a><\/td>\r\n<td style=\"width: 11.7747%; height: 65px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/20245280?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 57px;\">\r\n<td style=\"width: 87.884%; height: 57px;\">Anthony Fung (2006) `Think Globally, Act Locally\u2019: MTV\u2019s Rendezvous with China,\u00a0<em>Global Media and Communication 2<\/em>: 22-88.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1177\/1742766506061818\">https:\/\/doi.org\/10.1177\/1742766506061818<\/a><\/td>\r\n<td style=\"width: 11.7747%; height: 57px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/48843021?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<p style=\"text-decoration: underline;\">On Popular Culture, Youth Culture and Cultural Studies<\/p>\r\n\r\n<table style=\"border-collapse: collapse; width: 100%; height: 2601px;\">\r\n<tbody>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 87.5%; height: 48px;\">Zhang, T., Abidin, C., &amp; Fung, A. (2025). Cloud Parenting: Douyin Affordances, Emotional Authenticity, and Commodification of Wanghong Children. <em>Social Media + Society<\/em>, 1-13. <a href=\"https:\/\/doi.org\/10.1177\/20563051251400618\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1177\/20563051251400618<\/a>.<\/td>\r\n<td style=\"width: 87.5%; height: 48px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-journal-2025-cloud.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 87.5%; height: 48px;\">Pun, B. L. F., Guo, F., Fung, A. (2025). Vulgar livestreaming spectacle? Wanghong urbanism, digital platform and precarity in Laojie, Shenzhen. <em>International Journal of Cultural Studies<\/em>, 1-22. <a href=\"https:\/\/doi.org\/10.1177\/13678779251399672\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1177\/13678779251399672<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 48px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-journal-2025-vulgar.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Tom ter Bogt, T., de Looze, M., Lee, A., van den Eijnden, R., Stevens, G., &amp; Fung, A. (2024). Social and economic indicators of psychological symptoms and life satisfaction among Dutch and Hong Kong adolescents: A cross-national HBSC study. <em>Cross-Cultural Research<\/em>. <a href=\"https:\/\/doi.org\/10.1177\/10693971241231019\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1177\/10693971241231019<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-journal-2024-social.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Fung, A., Lam, J., &amp; Chiu, S. (2023). A socioecological perspective on the future quality of life of Hong Kong\u2019s young people: The role of competencies, livelihood improvement and support, upward mobility and environment, and five-year outlook. <em>Journal of Applied Youth Studies<\/em>. <a href=\"https:\/\/doi.org\/10.1007\/s43151-023-00100-3\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1007\/s43151-023-00100-3<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-journal-2023-socioecological.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 72px;\">\r\n<td style=\"width: 87.5%; height: 72px;\">Pun, L. F. B., &amp; Fung, A. (2022). Ramifications of cultural exports for cultural dynamics: assimilation of McDull, a Hong Kong movie series relocated to China.\u00a0<em>Inter-Asia Cultural Studies, 23<\/em>(3), 459-475.\u00a0<a href=\"https:\/\/doi.org\/10.1080\/14649373.2022.2108210\">https:\/\/doi.org\/10.1080\/14649373.2022.2108210<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 72px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/wp-content\/uploads\/2023\/02\/anthony-journal-2022-ramifications.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 81px;\">He, W., Lin, L., &amp; Fung, A. (2022). Online fiction writers, labor, and cultural economy.\u00a0<em>Global Media and China<\/em>, 7(2), 1-14.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1177\/20594364221105643\">https:\/\/doi.org\/10.1177\/20594364221105643<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 81px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-journal-2022-online.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 67px;\">Fung, A., He, W., &amp; Cao, S. (2022). Cultural capitals and creative labour of short video platforms: a study of\u00a0<em>wanghong<\/em> on Douyin. <em>CulturalTrends<\/em>.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1080\/09548963.2022.2082862\">https:\/\/doi.org\/10.1080\/09548963.2022.2082862<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 67px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-journal-2022-cultural.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Fung, A., Ismangil M., He, W., &amp; Cao, S. (2022). If I'm not streaming, I'm not earning: audience relations and platform time on Douyin.\u00a0<em>Online Media and Global Communication<\/em>.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1515\/omgc-2022-0001\">https:\/\/doi.org\/10.1515\/omgc-2022-0001<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-journal-2022-cultural.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 44px;\">\u99ae\u61c9\u8b19\uff082021\uff09\u3002&lt;\u5e74\u4ee3\u8a18\u61b6\uff1a\u672a\u5b8c\u7684\u9999\u6e2f\u6c11\u6b4c\u7c21\u53f2&gt;\u3002\u300a\u8996\u89ba\u50b3\u64ad\u7814\u7a76\u300b\uff0c\u7b2c1\u8f2f\uff0c\u980178-90\u3002<\/td>\r\n<td style=\"width: 87.5%; height: 44px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-journal-2021-memories%20.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 66px;\">Fung, A. Y. H., &amp; Pun, B. L. F. (2021). The transforming Hong Kong polarized cultural identities: The cultural dynamic and relocation of Hong Kong cultural production.\u00a0<em>Social Identities<\/em>. DOI: 10.1080\/13504630.2020.1816953<\/td>\r\n<td style=\"width: 87.5%; height: 66px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-journal-2021-transforming.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 62px;\">\u694a\u76c8\u9f8d\u3001\u99ae\u61c9\u8b19\uff082020\uff09\u3002&lt;\u793e\u6703\u8868\u6f14\u7406\u8ad6\u8996\u89d2\u4e0b\u7684\u7c89\u7d72\u6587\u5316\u7814\u7a76\u2014\u2014\u4ee5\u5076\u50cf\u990a\u6210\u985e\u7bc0\u76ee\u300a\u5275\u9020101\u300b\u738b\u83ca\u7c89\u7d72\u70ba\u6848\u4f8b&gt;\uff0c\u300a\u65b0\u805e\u754c\u300b\uff0c\u7b2c11\u671f\uff0c\u980160-70\u3002<\/td>\r\n<td style=\"width: 87.5%; height: 62px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-journal-2020-social-1.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 60px;\">*Anthony Fung (2019) Between dislocated and Relocated Inter-Asian Popular Music Studies: Academic Discourses and Possibilities.\u00a0<em>Popular Music 38<\/em>(1): 121-127.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1017\/S0261143018000703\">https:\/\/doi.org\/10.1017\/S0261143018000703<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 60px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-journal-2019-between.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 63px;\">Anthony Fung and Chi Kit Chan (2017) Post-handover Identity: Contested Cultural Bonding between China and Hong Kong.\u00a0<em>Chinese Journal of Communication 10<\/em>(4): 395-412.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1080\/17544750.2017.1371782\">https:\/\/doi.org\/10.1080\/17544750.2017.1371782<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 63px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-journal-2017-posthandover.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 73px;\">**Anthony Fung and Boris Pun (2017) Discourse and Identity in the Hong Kong Comic Magazine Teddy Boy.\u00a0<em>Global Media and China 1<\/em>(4): 424-434.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1177\/2059436417694045\">https:\/\/doi.org\/10.1177\/2059436417694045<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 73px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/38945270?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 72px;\" colspan=\"2\">**Xiaoxiao Zhang and Anthony Fung (2016) Global Format and Local Knowledge: an Ethnographic Studies of Television Production Communities.\u00a0<em>International Journalism 7<\/em>: 138-149 (in Chinese).\u00a0\u00a0<a style=\"background-color: unset; color: #ea1e49!important; display: block;\" href=\"http:\/\/cjjc.ruc.edu.cn\/CN\/abstract\/abstract568.shtml\">http:\/\/cjjc.ruc.edu.cn\/CN\/abstract\/abstract568.shtml<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 49px;\">Anthony Fung (2014) The iTunization of Pop: Mobile Music and Youth Social Networks.\u00a0<em>Perfect Beat 15<\/em>(1): 23-43.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1558\/prbt.v15i1.16737\">https:\/\/doi.org\/10.1558\/prbt.v15i1.16737<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 49px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/41223672?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 70px;\">Anthony Fung (2013) Deliberating Fandom and New Wave of Chinese Pop: a Case Study of Chris Li.\u00a0<em>Popular Music 32<\/em>(1): 79-89.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1017\/S0261143012000566\">https:\/\/doi.org\/10.1017\/S0261143012000566<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 70px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/30997350?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 65px;\">**Zhang Lin and Anthony Fung (2013) The Myth of 'Shanzhai' Culture and the Paradox of Digital Democracy in China,\u00a0<em>Inter-Asia Cultural Studies 14<\/em>(3): 401-416.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1080\/14649373.2013.801608\">https:\/\/doi.org\/10.1080\/14649373.2013.801608<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 65px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/20129787?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Anthony Fung (2010) Consuming Karaoke in China: Modernities and Social Contradictions.\u00a0<em>Chinese Sociology and Anthropology 42<\/em>(2) [now renamed as Chinese\r\nSociology Review]: 39-55.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.2753\/CSA0009-4625420202\">https:\/\/doi.org\/10.2753\/CSA0009-4625420202<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/21963053?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 78px;\">John Erni and Anthony Fung (2010) Clever Love: Dislocated Intimacies among Youth. Emotion,\u00a0<em>Space and Society 3<\/em>(1): 21-27.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1016\/j.emospa.2010.01.010\">https:\/\/doi.org\/10.1016\/j.emospa.2010.01.010<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 78px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/41634806?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 74px;\">Joseph Chan and Anthony Fung (2010) Structural Hybridization in Film and Television Production in Hong Kong.\u00a0<em>Visual Anthropology 24<\/em>(1\/2): 77-89.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1080\/08949468.2011.526513\">https:\/\/doi.org\/10.1080\/08949468.2011.526513<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 74px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/40540386?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 71px;\">Anthony Fung (2009) Rocking gender values: Sammi Cheng\u2019s Androgynous Persona.\u00a0<em>International Journal of Chinese Culture and Management 2<\/em>(3): 235-247.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1504\/IJCCM.2009.029404\">https:\/\/doi.org\/10.1504\/IJCCM.2009.029404<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 71px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/50610100?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 69px;\">Anthony Fung (2009) Faye and the Fandom of a Chinese Diva.\u00a0<em>Popular Communication 7<\/em>(2): 252-266.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1080\/15405700903177552\">https:\/\/doi.org\/10.1080\/15405700903177552<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 69px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/50494414?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 72px;\">*Anthony Fung (2009) Fandom, Youth and Consumption in China.\u00a0<em>European Journal of Cultural Studies 12<\/em>(3): 285-303.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1177\/1367549409105365\">https:\/\/doi.org\/10.1177\/1367549409105365<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 72px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/21812211?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 73px;\">Anthony Fung and Micky Lee (2009) Localizing a Global Amusement Park: Hong Kong Disneyland.\u00a0<em>Continuum: Journal of Media and Cultural Studies 23<\/em>(2): 197-208.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1080\/10304310802711973\">https:\/\/doi.org\/10.1080\/10304310802711973<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 73px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/21756267?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 49px;\">Anthony Fung (2008) Global Cultural Industries: A Comparative Perspective.\u00a0<em>Chinese Cultural Industries Forum 8<\/em>: 265-270 (in Chinese).<\/td>\r\n<td style=\"width: 87.5%; height: 49px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/25113217?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 72px;\">Anthony Fung (2008) Western Style, Chinese Pop: Jay Chou\u2019s Rap and Hip-Hop in China.\u00a0<em>Asian Music 39<\/em>(1) Winter\/Spring: 69-90.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1353\/amu.2007.0047\">https:\/\/doi.org\/10.1353\/amu.2007.0047<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 72px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/30528894?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 73px;\">*Anthony Fung (2007) The Emerging (National) Popular Music Culture in China.\u00a0<em>Inter-Asian Cultural Studies 8<\/em>(3): 425-437.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1080\/14649370701393824\">https:\/\/doi.org\/10.1080\/14649370701393824<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 73px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/30473911?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 73px;\">Anthony Fung (2007) Intra-Asian Cultural Flow: Cultural Homologies in Hong Kong and Japanese Television Soap Operas.\u00a0<em>Journal of Broadcasting and Electronic Media 51<\/em>(2): 265-286.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1080\/08838150701304696\">https:\/\/doi.org\/10.1080\/08838150701304696<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 73px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/30395484?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 87px;\">Eric Ma and Anthony Fung (2007) Negotiating Local and National Identifications: Hong Kong Identity Surveys 1996-2006.\u00a0<em>Asian Journal of Communication 17<\/em>(2):\r\n172-185.\u00a0<a href=\"https:\/\/doi.org\/10.1080\/01292980701306555\">https:\/\/doi.org\/10.1080\/01292980701306555<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 87px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/49157674?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 74px;\">Anthony Fung (2004) Postcolonial Hong Kong Identity: Hybridising the Local and the National. Social Identities 10(3): 399-414. <a href=\"https:\/\/doi.org\/10.1080\/1350463042000230854\">https:\/\/doi.org\/10.1080\/1350463042000230854<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 74px;\"><a style=\"display: block;\" href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/43476590?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Fang Wan, Ronald Faber, and Anthony Fung (2003) Perceived Impact of Thin Female Models in Advertising: A Cross-Cultural Examination of Third Person Perception and its Impact on Behaviors.\u00a0<em>Asia Pacific Journal of Marketing and Logistics 15<\/em>(1\/2): 51-73.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1108\/13555850310765079\">https:\/\/doi.org\/10.1108\/13555850310765079<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/44206193?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 57px;\">Anthony Fung (2002) Women\u2019s Magazines: Construction of Identities and Cultural Consumption in Hong Kong.\u00a0<em>Consumption, Markets and Culture, 5<\/em>(4): pp. 321-336.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1080\/1025386022000001460\">https:\/\/doi.org\/10.1080\/1025386022000001460<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 57px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/47057494?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 68px;\">Anthony Fung and Michael Curtin (2002) The Anomalies of Being Faye (Wong): Gender Politics in Chinese Popular Music.\u00a0<em>International Journal of Cultural Studies.\r\n5<\/em>(3): 263-290.\u00a0<a href=\"https:\/\/doi.org\/10.1177\/1367877902005003005\">https:\/\/doi.org\/10.1177\/1367877902005003005<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 68px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/43680436?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 65px;\">Anthony Fung (2002) Identity Politics, Resistance and New Media Technologies: A Foucauldian Approach to the Study of Hknet.\u00a0<em>New Media and Society 4<\/em>(2):\r\n185-204.\u00a0<a href=\"https:\/\/doi.org\/10.1177\/14614440222226334\">https:\/\/doi.org\/10.1177\/14614440222226334<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 65px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/32748229?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 58px;\">Anthony Fung (2001) What Makes the Local? A Brief Consideration of the Rejuvenation of Hong Kong Identity.\u00a0<em>Cultural Studies 15<\/em>(3\/4): 591-601.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1080\/095023800110046713\">https:\/\/doi.org\/10.1080\/095023800110046713<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 58px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/32560350?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 68px;\" colspan=\"2\">Anthony Fung (2000) Feminist Philosophy and the Cultural Representation in the Asian Context.\u00a0<em>Gazette International Communication 62<\/em>(2): 153-165.\u00a0<a style=\"background-color: unset; color: #ea1e49!important; display: block;\" href=\"https:\/\/doi.org\/10.1177\/0016549200062002005\">https:\/\/doi.org\/10.1177\/0016549200062002005<\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<span style=\"text-decoration: underline;\">On Global Media and Chinese Media<\/span>\r\n<table style=\"border-collapse: collapse; width: 100%; height: 1088px;\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 87.5%;\" colspan=\"2\">Boris Pun, Jeremy Ko, Anthony Fung, and Kai Chun Leung (2025) News, Networks, and Nostalgia: Examining the Role of Hong Kong Media and Diaspora Communities in Identity Preservation and Integration. <em>International Journal of Intercultural Relations.<\/em> <a href=\"https:\/\/doi.org\/10.1016\/j.ijintrel.2025.102254\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1016\/j.ijintrel.2025.102254<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 87.5%; height: 48px;\" colspan=\"2\">Fung, A. Y. H. (2023) (Ed.) Remark on China as method. <em>Global Media and China<\/em>. <a href=\"https:\/\/doi.org\/10.1177\/20594364231214346\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1177\/20594364231214346<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 78px;\">Chan, C. K., &amp; Fung, A. Y. H. (2021). From soft power to sharp power: China\u2019s media image in Hong Kong\u2019s health crises from 2003 to 2020.\u00a0<em>Global Media &amp; China, 6<\/em>(1), 62-76. DOI:\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1177\/2059436420980475\">https:\/\/doi.org\/10.1177\/2059436420980475<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 78px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-journal-2021-soft.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 48px;\">\r\n<td style=\"width: 87.5%; height: 48px;\" colspan=\"2\">\u7530\u5143\u3001\u99ae\u61c9\u8b19\uff082021\uff09\u3002&lt;\u6200\u201c\u6e58\u201d\u60c5\u7d50\uff1a\u5a92\u9ad4\u878d\u5408\u6642\u4ee3\u6e56\u5357\u96fb\u8996\u751f\u7522\u8005\u7684\u7a7a\u9593\u9077\u5f99\u8207\u793e\u7fa4\u4f9d\u9644&gt;\u3002\u300a\u65b0\u805e\u8a18\u8005\u300b\uff0c\u7b2c460\u671f\uff0c\u98013-14\u3002<\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">**Xiaoxiao Zhang and Anthony Fung (2014) TV Formatting of the Chinese Ugly Betty: An Ethnographic Observation of the Production Community. Television &amp; New Media 15(6): 507-522. <a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1177\/1527476414524286\"> https:\/\/doi.org\/10.1177\/1527476414524286<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/20536573?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 77px;\">Anthony Fung and Keysook Choe (2013) Affect in TV Drama: A Comparison between the Korean and Chinese version of Meteor Shower.\u00a0<em>Journal of Korean Studies 161<\/em>: 363-399 (in Korean).<\/td>\r\n<td style=\"width: 87.5%; height: 77px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/53054982?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Anthony Fung and Xiaoxiao Zhang (2012) The signification of Modern Imagination in China: A textual study of Meteor Shower.<em>\u00a0Communication and Society 19<\/em>: 59-76 (in Chinese).\u00a0<a style=\"display: block;\" href=\"http:\/\/www.cschinese.com\/word\/54267192016.pdf\">http:\/\/www.cschinese.com\/word\/54267192016.pdf<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/26684813?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 72px;\">\r\n<td style=\"width: 87.5%; height: 72px;\">**Anthony Fung and Xiaoxiao Zhang (2011) The Chinese Ugly Betty: TV cloning and Local Modernity. <em>International Journal of Cultural Studies 14<\/em>(3): 265-276.\u00a0<a href=\"https:\/\/doi.org\/10.1177\/1367877910391866\">https:\/\/doi.org\/10.1177\/1367877910391866<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 72px;\"><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 64px;\">Anthony Fung (2007) Political Economy of Hong Kong Media: Producing a Hegemonic Voice.\u00a0<em>Asian Journal of Communication 17<\/em>(2): 159-171.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1080\/01292980701306530\">https:\/\/doi.org\/10.1080\/01292980701306530<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 64px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/49266423?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 63px;\">Anthony Fung (2002) One City, Two Systems: Democracy in an Electronic Chat room in Hong Kong.\u00a0<em>Javnost: the Public 9<\/em>(2): 77-94.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1080\/13183222.2002.11008801\">https:\/\/doi.org\/10.1080\/13183222.2002.11008801<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 63px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/43375949?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 72px;\">Jennifer Ostini and Anthony Fung (2002), Beyond the Four Theories of the Press: A New Model of National Media Systems. Mass\u00a0<em>Communication and Society 5<\/em>(1):\r\n41-56.\u00a0<a href=\"https:\/\/doi.org\/10.1207\/S15327825MCS0501_4\">https:\/\/doi.org\/10.1207\/S15327825MCS0501_4<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 72px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/46859139?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 175%; height: 96px;\" colspan=\"2\">Tsan-Kuo Chang with Pat Berg, Anthony Fung, Kent Kedl, Catherine Luther and Janet Szuba (2001) Comparing Nations in Mass Communication Research. 1970-97: A Critical Assessment of How We Know What We Know.\u00a0<em>Gazette International Communication 63<\/em>(5):\r\n415-434.\u00a0\u00a0<a style=\"background-color: unset; color: #ea1e49!important;\" href=\"https:\/\/doi.org\/10.1177\/0016549201063005004\">https:\/\/doi.org\/10.1177\/0016549201063005004<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 69px;\">Anthony Fung and Eric Ma (2000) Formal vs. Informal Use of Television and Sex Role Stereotyping in Hong Kong.\u00a0<em>Sex Roles 42<\/em>\u00a0(1\/2): 57-81.\u00a0<a style=\"display: block;\" href=\"https:\/\/link.springer.com\/article\/10.1023\/A:1007032227501\">https:\/\/link.springer.com\/article\/10.1023\/A:1007032227501<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 69px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/32187400?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 68px;\">Anthony Fung (1996) Politics of Media Economics and Economy of Media Politics: An Overview.\u00a0<em>Journal of Communication Inquiry 20<\/em>(1): 99-113.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.1177\/019685999602000107\">https:\/\/doi.org\/10.1177\/019685999602000107<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 68px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-journal-1996-politics.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 69px;\">Anthony Fung and Chin-Chuan Lee (1994) Hong Kong's Changing Media Ownership: Uncertainty and Dilemma.\u00a0<em>Gazette International Communication 53<\/em>: 127-133.<\/td>\r\n<td style=\"width: 87.5%; height: 69px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/55687555?auxfun=&amp;lang=zh_HK\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>"},{"people_publication_list_title":"Special Issues for Journal Editorship","people_publication_content":"<p style=\"text-align: left;\">Anthony Fung (2020) Computational approaches to opinion dynamics research on social media. Telematics and Informatics.<a href=\"https:\/\/www.sciencedirect.com\/journal\/telematics-and-informatics\/special-issue\/10FFBLWR4FG\" target=\"_blank\" rel=\"noopener\">https:\/\/www.sciencedirect.com\/journal\/telematics-and-informatics\/special-issue\/10FFBLWR4FG<\/a><\/p>\r\nZhang Lun and Anthony Fung (2020) Opinion Dynamics Research on Social Media: Breakthroughs and Challenges. <em>Telematics and Informatics<\/em> 46(March). <a href=\"https:\/\/doi.org\/10.1016\/j.tele.2019.101314\">https:\/\/doi.org\/10.1016\/j.tele.2019.101314<\/a>\r\n\r\nMichael Keane and Anthony Fung (2018) Digital Platforms: Exerting China\u2019s New Cultural Power in the Asia-Pacific. <em>Media Industries Journal<\/em> 5(1): <a href=\"http:\/\/dx.doi.org\/10.3998\/mij.15031809.0005.103\">http:\/\/dx.doi.org\/10.3998\/mij.15031809.0005.103<\/a>\r\n\r\nKim Dong Shin and Anthony Fung (2017) (ed.) Policing Creative Industries: Perspectives and Cases. <em>Global Media and China<\/em> 2(1): 1-108. <a href=\"https:\/\/journals.sagepub.com\/toc\/GCH\/2\/1\">https:\/\/journals.sagepub.com\/toc\/GCH\/2\/1<\/a>\r\n\r\nAnthony Fung (2008) (ed.) International Cultural Industry. <em>Chinese Cultural Industries Forum<\/em> 8: 263-349."},{"people_publication_list_title":"Selected Refereed Book Chapters","people_publication_content":"<span style=\"text-decoration: underline;\">On Creative Industries and Cultural Policy<\/span>\r\n<table style=\"border-collapse: collapse; width: 100%; height: 1058px;\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 87.5%;\">Han, F., Fung, A., Liu, J. (2024). Women as dancing Wanghong on Douyin. In Jamie Zhao and Hongwei Bao (eds.), <em>Routledge Handbook of Chinese Gender &amp; Sexuality<\/em> (pp. 307-320). London: Routledge.<\/td>\r\n<td style=\"width: 87.5%;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-ch-2024-women.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 87.5%;\" colspan=\"2\">Boris Pun and Anthony Fung (2023) Live Streaming as an Interactive Marketing Media: Examining Douyin and its Constructed Value and Cultural Preference of Consumption in E-commerce. In Cheng Lu Wang (ed.), <em>Palgrave Handbook of Interactive Marketing. <\/em>New York: Palgrave Macmillan, pp. 499-517. <a href=\"https:\/\/doi.org\/10.1007\/978-3-031-14961-0\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.1007\/978-3-031-14961-0<\/a><\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 87.5%;\">Fung, A., &amp; Leo-Liu, J. (2023). Netflix and Korean drama: cultural resonance, affect and consumption in Asia. In <em>Introducing Korean Popular Culture<\/em> (pp. 118-125). Routledge.<\/td>\r\n<td style=\"width: 87.5%;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-ch-2023-netflix.pdf\" target=\"_blank\" rel=\"noopener\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 66px;\">Fung, A., &amp; Chik, G. (2022). Netflix, the digital West in Asia: new models, challenges and collaborations. In Y. Kim (Ed.)\u00a0<em>Media in Asia: global, digital, gendered and mobile<\/em>\u00a0(pp. 41-52). Routledge.<\/td>\r\n<td style=\"width: 87.5%; height: 66px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-book-2022-netflix.pdf\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 81px;\">Fung, A. Y. H., &amp; Chik, G. H. N. (2021). When East Asian media industries are faced with digitalization: transformation and survival strategies. In McDonald P. (Ed.)\u00a0<em>The Routledge Companion to Media Industries<\/em>\u00a0(pp. 312-323). London: Routledge.\u00a0<a style=\"display: block;\" href=\"https:\/\/doi.org\/10.4324\/9780429275340-31\">https:\/\/doi.org\/10.4324\/9780429275340-31<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 81px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-journal-2021-when.pdf\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 53px;\">Ismangail, M., &amp; Fung, A. (2020). Esports: A Chinese sport? In Dai Yong Jin (ed.),\u00a0<em>Global esport: transformation of perceptions of competitive gaming<\/em>\u00a0(pp. 60-76). New York: Bloomsbury Academic.<\/td>\r\n<td style=\"width: 87.5%; height: 53px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-journal-2021-esports.pdf\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 39px;\">**Anthony Fung and Yiyi Yin (2019). New Productive Culture: Shanzhai or Second Degree of Creation? In Jeroen de Kloet (ed.)\u00a0<em>You Must Create. Rethinking the Creativity Discourse in China.\u00a0<\/em>Amsterdam: Amsterdam University Press.<\/td>\r\n<td style=\"width: 87.5%; height: 39px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-ch-2019-new.pdf\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 61px;\" colspan=\"2\">**Boris Pun, Yiyi Yin, Anthony Fung (2019) eSports Gamers in China: Career Lifestyle and Public Discourse among Professional League of Legends Competitors. In Phillip Penix-Tadsen (ed.),\u00a0<em>Video Games in the Global South<\/em>. Pittsburgh, PA: Carnegie Mellon University: ETC Press, pp. 183-196.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 59px;\" colspan=\"2\">Henry Jenkins, Elizabeth Saad Correa, Anthony Fung and Tanja Bosch (2018) Making Media: Observations and Futures. In Mark Deuze and Mirjam Prenger (eds). <em>Making Media: Production, Practices, and Professions<\/em>. Amsterdam: University of Amsterdam Press, pp 465-479.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 66px;\" colspan=\"2\">Anthony Fung (2018) China-Japan Crossover Comics: Localization, Re-localization and Export. In Michael Keane, Brian Yeices and Terry Flew (eds.),\u00a0<em>Willing Collaborators: Foreign Partners in Chinese Media<\/em>. Lanham, MD: Rowman &amp; Littlefield, pp. 109-121.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 36px;\" colspan=\"2\">Scott Lash and Anthony Fung (2017) Cognitive Capitalism and Creative Industry. In Warren Neidch (eds.)\u00a0<em>The Psychopathlogies of Cognitive Capitalism: Part three<\/em>. Archive Books, pp. 85-111.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 61px;\" colspan=\"2\">**Cheung, Ka Fai and Anthony Fung (2016) Globalizing the Chinese Online Game Industry: Form Incubation and Hybridization to Structural Expansion in the Past Two Decades. In Anthony Fung (ed.),\u00a0<em>Global Game Industries and Cultural Policy<\/em>. London: Palgrave Macmillan, pp. 71-90.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 40px;\" colspan=\"2\">Anthony Fung (2016) Creative Industry and Cultural Policy in Asia Reconsidered. In Anthony Fung (ed.),\u00a0<em>Global Game Industries and Cultural Policy<\/em>. London: Palgrave Macmillan, pp. 15-31.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 56px;\">Anthony Fung (2016) The Impact of the Rise of Mobile Games on the Creativity and Structure of the Games Industry in China. In Dal Yong Jin (eds.),\u00a0<em>Mobile Gaming in Asia: Politics, Culture and Emerging Technologies<\/em>. New York: Springer, pp.91-103.<\/td>\r\n<td style=\"width: 87.5%; height: 56px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-ch-2016-impact.pdf\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 40px;\">**\u00a0Anthony Fung and Vicky Ho (2016) Cultural Policy, Chinese National Identity and Globalization. In Terry Flew, Petros Iosifidis and Jeanette Steemers Eds.\u00a0<em>Global Media and National Policies: The Return of the State<\/em>. New York: Palgrave Macmillan, pp. 106-121.<\/td>\r\n<td style=\"width: 87.5%; height: 40px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/54156527?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 57px;\">**Anthony Fung and Vicky Ho (2016) Animation Industry in China: Managed Creativity or State Discourse. In Michael Keane (ed.)\u00a0<em>Handbook of Cultural and Creative Industries in China<\/em>. Chelteham Glos, UK: Edward Edgar Publishing, pp. 276-292.<\/td>\r\n<td style=\"width: 87.5%; height: 57px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/54231386?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 57px;\">Anthony Fung (2016) Redefining Creative Labor: A Comparative Framework. In Michael Curtin and Kevin Sanson (eds.)\u00a0<em>Precarious Creativity. Berkeley<\/em>, CA: University of California Press, pp. 200-214.<\/td>\r\n<td style=\"width: 87.5%; height: 57px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/54230399?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 36px;\" colspan=\"2\">**Anthony Fung and Sara Liao (2015) China. In Mark Wolf ed.\u00a0<em>Video Games Around the Wolf<\/em>. Boston. MA: MIT Press, pp 119-135.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 61px;\">Anthony Fung (2015) Gamers, State and Online Games. In Gary D. Rawnsley and Ming-Yeh Rawnsley (eds.),\u00a0<em>The Routledge Handbook of Chinese Media<\/em>. New York: Routledge, pp. 330-340.<\/td>\r\n<td style=\"width: 87.5%; height: 61px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/54040189?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 67px;\">**Anthony Fung and Vicky Ho (2015) Games Industries in Asia: Toward an Asian formation of game culture. In Larissa Hjorth and Olivia Khoo eds.\u00a0<em>Routledge Handbook of New Media in Asia<\/em>. London: Routledge, pp. 377-390<\/td>\r\n<td style=\"width: 87.5%; height: 67px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-ch-2015-games.pdf\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 61px;\">Anthony Fung (2014) Online Game and Chinese National Identities. In Lorrain Lim and Hye-Kyung Lee ed.\u00a0<em>Cultural Policies in East Asia: Between the State, Arts and Cultural Industries<\/em>. Palgrave Macmillan, pp.53-68.<\/td>\r\n<td style=\"width: 87.5%; height: 61px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/52770965?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 61px;\">Chung, Peichi and Fung, Anthony (2013) Internet Development and the Commercialization of Online Gaming in China. In Nina B. Huntemann and Ben Aslinger (eds.),\u00a0<em>Gaming Globally: Production, Play and Place<\/em>. New York: Palgrave, pp. 233-250.<\/td>\r\n<td style=\"width: 87.5%; height: 61px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/19989069?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<span style=\"text-decoration: underline;\">On Popular Culture, Youth Culture and Cultural Studies<\/span>\r\n<table style=\"border-collapse: collapse; width: 100%; height: 1840px;\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 87.3418%;\" colspan=\"2\">Anthony Fung and Qian Zhang (2025) Beijing Hip Hop: From Banal Cosmopolitanism to Nationalism in the Synchronization with the West. In Shane Homan, Catherine Strong, Seamus O\u2019Hanlon and John Tebbutt (eds.), Interrogating Popular Music and the City. London: Routledge. <a href=\"https:\/\/doi.org\/10.4324\/9781003300182-6\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.4324\/9781003300182-6<\/a><\/td>\r\n<\/tr>\r\n<tr>\r\n<td colspan=\"2\">Anthony Fung and Han Fu (2024) Video Games. In C. Shei, &amp; Q. Cao, (eds.), <em>Routledge Resources Online: Chinese Studies. <\/em>London: Routledge. Routledge. <a href=\"https:\/\/doi.org\/10.4324\/9780367565152-RECHS120-1\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.4324\/9780367565152-RECHS120-1<\/a><\/td>\r\n<\/tr>\r\n<tr>\r\n<td colspan=\"2\">\u99ae\u61c9\u8b19\u3001\u4f55\u7a4e\u742a (2024). \u5343\u79a7\u5e74\u7684\u5f8c\u5341\u5e74\uff1a\u6d41\u884c\u97f3\u6a02\u7684\u95be\u9650\u7a7a\u9593\u3002\u6731\u8000\u5049\u7de8\u300a\u7cb5\u8a9e\u6d41\u884c\u66f2\u4e03\u5341\u5e74\u300b145-165\u3002<\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 87.3418%;\">Fung, A., &amp; Fu, H. (2024). Video games. In C. Shei &amp; Q. Cao (Eds.),\u00a0<em>Routledge Resources Online \u2013 Chinese Studies<\/em>. Routledge.\u00a0<a href=\"https:\/\/doi.org\/10.4324\/9780367565152-RECHS120-1\" target=\"_blank\" rel=\"noopener noreferrer\" data-auth=\"NotApplicable\" data-linkindex=\"1\">https:\/\/doi.org\/10.4324\/9780367565152-RECHS120-1<\/a><\/td>\r\n<td style=\"width: 12.5176%;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/publication\/anthony-ch-2024-video.pdf\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"height: 75px; width: 99.8594%;\" colspan=\"2\">Jessica Kong and Anthony Fung (2020) The Politicization of Music Through Nostalgic Mediation: The Memory in \u201cBoundless Oceans, Vast Skies.\u201d In Anthony Fung and Alice Chik (eds.),\u00a0<em>Made in Hong Kong<\/em>. Global Popular Music Series. London: Routledge, pp. 181-190.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 83px;\">Zhang, Qian and Anthony Fung (2017) Fan Economy and Consumption: Fandom of Korean Music Band in China. In Tae-Jin Yoon and Dal Yong Jin (eds.)\u00a0<em>The Korean Wave: Evolution Fandom and Transnationality<\/em>. Lexington Book, pp. 129-143<\/td>\r\n<td style=\"width: 12.5176%; height: 83px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-ch-2017-fan.pdf\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 64px;\">Anthony Fung and Gary Tang (2017) Youth and Social Change. In Fanny Cheung and Stephen Chiu (eds.), The Twenty Years of HKSAR. Hong Kong: Hong Kong Institute of Asia Pacific Studies, pp. 487-499.<\/td>\r\n<td style=\"width: 12.5176%; height: 64px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/62453368?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 96px;\">**Yiyi Yin and Anthony Fung (2017) Youth Online Cultural Participation and Bilibili: An Alternative Form of Democracy in China? In Rocci Luppicini and Rachel Baarda eds.\u00a0<em>Digital Media Integration for Participatory Democracy<\/em>. Hershey, PA: IGI Global. Pp. 130-152<\/td>\r\n<td style=\"width: 12.5176%; height: 96px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/39306012?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 96px;\">**Anthony Fung and Boris Pun (2017) From Pioneering Amateur to Tamed Co-operator: Tamed Desires and Untamed Resistance in the Cosplay Scene in China. In Alexis Pluos and S Austin Lee (eds.),\u00a0<em>Transnational Contexts of Culture, Gender, Class and Colonialism in Play<\/em>. London: Palgrave Macmillan, pp. 81-95.<\/td>\r\n<td style=\"width: 12.5176%; height: 96px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/35224694?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 70px;\">Anthony Fung (2017) Bordercrossing, Local Modification, and Transnational Transaction of TV Dramas in East Asia, In Koichi Iwabuchi, Eva Tsai, Chris Berry. eds.\u00a0<em>Routledge Handbook of East Asian Pop Culture<\/em>. London: Routledge, pp 94-101.<\/td>\r\n<td style=\"width: 12.5176%; height: 70px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/38283751?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 49px;\">Anthony Fung, John Erni and Frances Yang (2014) Asian Popular Culture. In Toby Miller ed.\u00a0<em>Routledge Companion to Global Popular Culture<\/em>. London: Routledge, pp. 481-491.<\/td>\r\n<td style=\"width: 12.5176%; height: 49px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-ch-2014-asian.pdf\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 79px;\">Anthony Fung (2014) Online Game and Chinese National Identities. In Lorrain Lim and Hye-Kyung Lee ed.\u00a0<em>Cultural Policies in East Asia: Between the State, Arts and Cultural Industries<\/em>. Palgrave Macmillan, pp.53-68.<\/td>\r\n<td style=\"width: 12.5176%; height: 79px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/52770965?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 99.8594%; height: 68px;\" colspan=\"2\">Anthony Fung and Keysook Choe (2014) Boys over Flowers: Class in TV Drama. In Keysook Choe and Soyoung Hoe (eds.),\u00a0<em>Emotional Society<\/em>. Pp. 297-330. Seoul: \uae00\ud56d\uc544\ub9ac Press (in Korean).<\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 71px;\">Micky Lee and Anthony Fung (2013) One Region, Two Modernities: Disneyland in Tokyo and Hong Kong. In Anthony Fung (eds.), Asian Popular Culture: the Global (Dis)continuity. New York: Routledge. pp. 42-58.<\/td>\r\n<td style=\"width: 12.5176%; height: 71px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/20108252?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 96px;\">Anthony Fung and Joseph Chan (2010) Towards a Global Blockbuster: The Political Economy of Hero\u2019s Nationalism. In Gary D. Rawnsley and Ming-Yeh T. Rawnsley eds.\u00a0<em>Global Chinese Cinema: The Culture and Politics of Hero<\/em>. London: Routledge, pp. 198-211.<\/td>\r\n<td style=\"width: 12.5176%; height: 96px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/51175367?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 73px;\">Micky Lee and Anthony Fung (2009) Media Ideologies of Gender in Hong Kong. In Fanny Cheung and Eleanor Holroyd (eds.),\u00a0<em>Mainstreaming Gender in Hong Kong Society<\/em>. Hong Kong: The Chinese University Press, pp. 291-309.<\/td>\r\n<td style=\"width: 12.5176%; height: 73px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/50606456?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 96px;\">Siumi Maria Tam, Anthony Fung, Lucetta Kam and Mario Liong (2009) Re-gendering Hong Kong Man in Social, Physical and Discursive Space. In Fanny Cheung and Eleanor Holroyd (eds.),\u00a0<em>Mainstreaming Gender in Hong Kong Society<\/em>. Hong Kong: The Chinese University Press, pp. 335-365.<\/td>\r\n<td style=\"width: 12.5176%; height: 96px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/50811744?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 96px;\">Anthony Fung (2009) Online Games, Cyberculture and Community: The Deterritorization and Crystallization of Community Space. In L. Leung, A. Fung and P. Lee (eds.),\u00a0<em>Embedding into Our Lives: New Opportunities and Challenges of the Internet<\/em>. Hong Kong: Chinese University Press, pp. 189-205.<\/td>\r\n<td style=\"width: 12.5176%; height: 96px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/50335146?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 59px;\">Anthony Fung (2008) Discourse and Cultural Identity: Towards a Global Identity of Hong Kong. In Doreen Wu (ed.),\u00a0<em>Discourses of Cultural China in the Globalizing Age<\/em>. Hong Kong: Hong Kong University Press, pp 189-202.<\/td>\r\n<td style=\"width: 12.5176%; height: 59px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/42324469?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 81px;\">Anthony Fung (2008) Learning Hong Kong\u2019s Body: Beauties, Beauty Workers and their Identities. In Kwok-bun Chan, Jans W. Walls, and David Hayward (eds.),\u00a0<em>East-West Identities: Globalization, Localization and Hybridization<\/em>. Leiden: Brill, pp. 229-240.<\/td>\r\n<td style=\"width: 12.5176%; height: 81px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/43666696?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 59px;\">Anthony Fung (2007) Media and Popular Culture. Zhumin Lu and Junhan Hong (eds.),\u00a0<em>Communication<\/em>. Beijing: Renmin University Press (in Chinese), pp. 177-195<\/td>\r\n<td style=\"width: 12.5176%; height: 59px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/24815672?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 76px;\">Anthony Fung (2006) Bridging Cyberlife and Real Life: A Study of Online Communities in Hong Kong. In David Silver, Adrienne Massanari and Steven Jones (eds.),\u00a0<em>Critical Cyberculture Reader<\/em>. New York: New York University Press, pp. 129-139.<\/td>\r\n<td style=\"width: 12.5176%; height: 76px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/47498535?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 99.8594%; height: 96px;\" colspan=\"2\">Anthony Fung (2006) Idol and Hong Kong Cultural Idol: Deconstructing Kelly Chan\u2019s Fans Culture. In Chun Hung Ng, Eric Ma and Tak Lok Lui (eds.),\u00a0<em>Hong Kong Culture Research<\/em>. Hong Kong: Hong Kong University Press (in Chinese), pp. 175-179<\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 69px;\">Anthony Fung (2006) Gender and Advertising: The Promotional Culture of Whitening and Slimming, In Kara Chan (ed.),\u00a0<em>Advertising and Hong Kong Society<\/em>, Hong Kong: Chinese University Press, pp. 171-181.<\/td>\r\n<td style=\"width: 12.5176%; height: 69px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/48911515?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 96px;\">Anthony Fung (2003) Marketing Popular Culture in China: Andy Lau as a pan-Chinese icon. In Chin-Chuan Lee (ed.),\u00a0<em>Chinese Media, Global Contexts<\/em>. London: RoutledgeCurzon, pp. 257-269.<\/td>\r\n<td style=\"width: 12.5176%; height: 96px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/44187065?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.3418%; height: 96px;\">Anthony Fung and Eric Ma (2002) \u2018Satellite Modernity:\u2019 Four Modes of Televisual Imagination in the Disjunctive Socio-mediascape of Guangzhou, in Stephanie Hemelryk Donald, Michael Keane &amp; Yin Hong eds.\u00a0<em>Media Futures in China: Consumption, Context and Crisis<\/em>. New York: RoutledgeCurzon Press, pp. 67-79.<\/td>\r\n<td style=\"width: 12.5176%; height: 96px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/46827641?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 99.8594%; height: 96px;\" colspan=\"2\">Eric Ma and Anthony Fung (1999) Re-sinicization, Nationalism and the Hong Kong Identity, in Clement So and Joseph Chan (eds.),\u00a0<em>Press and Politics in Hong Kong: Case Studies from 1967 to 1997<\/em>. Hong Kong: Chinese University Press, pp. 497-528.<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<span style=\"text-decoration: underline;\">On Global Media and Chinese Media<\/span>\r\n<table style=\"border-collapse: collapse; width: 100%; height: 1048px;\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 87.5%;\"><\/td>\r\n<td style=\"width: 87.5%;\"><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Zheng, V., &amp; Fung, A. Y. H. (2021). COVID-19, social anxiety, and economic-political crisis in Hong Kong: a public opinion survey's perspective. In Fong, B. Y. F., &amp; Wong, M. C. S. (Eds.)\u00a0<em>The Routledge Handbook of Public Health and the Community<\/em>\u00a0(pp. 150-170). London: Routledge.\u00a0<a href=\"https:\/\/doi.org\/10.4324\/9781003119111-15\">https:\/\/doi.org\/10.4324\/9781003119111-15<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/images\/content_people\/publication\/anthony-journal-2021-covid19.pdf\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 175%; height: 96px;\" colspan=\"2\">Anthony Fung, &amp; Lau, A. H. Y. (2020). The role of mass media in health care. In Fong, B. Y. F., Law, V. T. S., &amp; Lee, A. (Eds.)\u00a0<em>Primary care revisited: Interdisciplinary perspectives for a new era<\/em>. Singapore: Springer.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Anthony Fung (2015) Asian Television. In Krin Gabbard ed.\u00a0<em>Oxford Bibliographies in Cinema and Media Studies<\/em>. New York: Oxford University Press.\u00a0<a href=\"http:\/\/www.oxfordbibliographies.com\/\">http:\/\/www.oxfordbibliographies.com\/<\/a><\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/54229243?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Anthony Fung (2015) The Globalization of TV Format. In Kate Oakley and Justin O\u2019 Conner (eds.), Routledge Companion to the Cultural Industries. London: Routledge, Chapter 9.<\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/54509600?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">**Anthony Fung, Zhang Xiaoxiao, Luzhou Li (2014) Independence within the Boundaries: State Control and Strategies of Chinese Television for Freedom. In James Bennett and Niki Strange (eds.)\u00a0<em>Media Independence: Working with Freedom or Working for Free?<\/em>\u00a0New York: Routledge, pp. 243-260.<\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"https:\/\/aims.cuhk.edu.hk\/converis\/portal\/detail\/Publication\/54510262?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 175%; height: 96px;\" colspan=\"2\">Anthony Fung (2014) New Era of Hong Kong Television: Juxtaposing market with politics. In Kim Jeongmee (ed.)\u00a0<em>Reading Asian Television Drama: Crossing Borders and Breaking Boundaries<\/em>. London: I.B. Tauris, pp. 101-121.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 175%; height: 96px;\" colspan=\"2\">**Anthony Fung and Luzhou Li (2010) TV Box on the Internet: the Interplay between politics and market in China. In Dal Yong Jin (ed.),\u00a0<em>Global Media Convergence and Cultural Transformation: Emerging Social Patterns and Characteristics<\/em>. Hershey, PA: IGI, pp: 327-339.<\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Anthony Fung (2009) Globalizing Televised Culture: The Case of China. In Graeme Turner and Tinna Jay (eds.),\u00a0<em>Television Studies after TV<\/em>. Oxon: Routledge, pp. 178-188.<\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/41655190?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Anthony Fung (2008) Hong Kong Cinema. In Wolfgang Donsbach (ed.),\u00a0<em>International Encyclopedia of Communications<\/em>. Malden, MA: Blackwell, various pages.<\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/49969846?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Anthony Fung (2008) Media Consumption and Incomplete Globalization: How Chinese Interpret Border-Crossing Hong Kong TV Dramas. In Youna Kim (ed.),\u00a0<em>Media Consumption and Everyday Life in Asia<\/em>. London: Routledge, pp. 83-96.<\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/21942516?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Anthony Fung (2006) Sensationalism in Hong Kong Newspapers. In Hao Xiaoming and Sunanda Datta-Ray (eds.),\u00a0<em>Issues and Challenges in Asia Journalism<\/em>. Singapore: Marshall Gavendish, pp. 189-203.<\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/48591437?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Anthony Fung (2005) China Reporting on the US: Ambivalence and contradictions. In Vladmir Schlapentokh and Joshua Woods (eds.),\u00a0<em>America: Sovereign Defender or Cowboy Nation?<\/em>\u00a0Hants, UK: Ashgate Publishing Ltd, 91-101.<\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/48178546?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Anthony Fung (2004) Coping, Cloning and Copying: Hong Kong in the Global Television Format Business. In Albert Moran and Michael Keane eds.\u00a0<em>Television across Asia: Television Industries, Programme Formats and Globalization<\/em>. London: RoutledgeCurzon, pp. 74-87.<\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/44188113?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Anthony Fung (2003) Media Economics of the Hong Kong press in political transition: Towards a new viable political economy. In Gary D. Rawnsley and Ming-Yeh T. Rawnsley. eds,.\u00a0<em>Political Communications in Greater China: The Construction and Reflection of Identity<\/em>. Routledge Curzon, pp. 190-214.<\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/44186365?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr style=\"height: 96px;\">\r\n<td style=\"width: 87.5%; height: 96px;\">Anthony Fung and Chin-Chuan Lee (2002) Market and Politics: Hong Kong Press During Sovereignty Transfer,\u00a0<em>Chinese Communication Studies: Contexts and Comparisons<\/em>. In Xing Lu, Wensha Jia, D. Ray Heisey and Lucy Lu (eds.), Westport, CT: Albex, pp. pp. 165-177.<\/td>\r\n<td style=\"width: 87.5%; height: 96px;\"><a href=\"http:\/\/aims.cuhk.edu.hk\/converis\/portal\/Publication\/46685172?auxfun=&amp;lang=zh_HK\">View&gt;<\/a><\/td>\r\n<\/tr>\r\n<tr>\r\n<td style=\"width: 87.5%;\">Anthony Fung (2002) How Is News Made? A Comparison of Analysis of News Production between Qualitative Sociological Approach and Culturalist Tradition, in David Li (ed.) Discourse in Search of Members, Lanham, Maryland: American University Press, pp. 255-271.<\/td>\r\n<td style=\"width: 87.5%;\"><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n&nbsp;"}]},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u99ae\u61c9\u8b19 - CUHK<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cuhkmdw-dev.visibleone.dev\/zh\/people\/\u99ae\u61c9\u8b19\/\" \/>\n<meta property=\"og:locale\" content=\"zh_TW\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u99ae\u61c9\u8b19 - CUHK\" \/>\n<meta property=\"og:description\" content=\"B.S.Sc. 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